Associate Lecturer
Current Teaching
Central Saint Martins, University of the Arts London
Teaching postgraduate seminars in Philosophy on the MRes Art: Theory and Philosophy course and advising students on their dissertation and essay writing
London College of Communication, University of the Arts London
Teaching seminars on Sound Design for Moving Image on the BA Sound Arts course, and supervising and assessing final year projects
South, West and Wales Doctoral Training Partnership, Bristol, UK
External Reader on training exercise for doctoral students, providing feedback and advice on student writing
Recent Publications
Book chapter
L’étrangèreté et l’évidence de l’absence d’évidence dans Outlandish: Étranges Corps Étrangers de Phillip Warnell et Jean-Luc Nancy |in Nancynéma | UGA Éditions | forthcoming 2026
Book chapter
Flowing along endlessly: Banana Yoshimoto’s female protagonists and water’s guiding force | in Women and Water in Global Fiction | edited by Emma Staniland | Routledge | 2023
Journal article
This is what climate change looks like: McKenzie Wark’s post-literary critiques give equal value to participation | in CounterText special issue ‘The Mimetic Condition’ | Edinburgh University Press | 2022
Sound Design
London 2003–
I have had the pleasure of working with Britain’s top sound people at Soundelux London and Twickenham Studios, and was part of the BAFTA-winning sound team on Casino Royale.
New York 1997–2003
As a New York-based sound editor, I delivered sound effects editing, music editing, foley art, and dialogue editing for independent features and documentaries. Clients included Arte, ZDF, PDF, HBO, A&E.
New York 1995–97
I cut my teeth as a sound editor at Manhattan audio post-production house Harmonic Ranch, working for New York independent filmmakers and artists. Clients included: PBS, Channel 4 Films, NYU Film School.